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Monuments · St. Francis Gate

St. Francis
Church

The oldest sanctuary of the Republic. Founded in 1361 together with the convent of the Conventual Friars Minor, it marks the southern entrance to the historic centre, in line with the St. Francis Gate, and keeps in its cloisters the Art Gallery with works from the 14th to the 16th century.

Foundation
1361
Art Gallery
1966
Portico arches
3

Sources: Diocese of San Marino-Montefeltro · State Museums

St. Francis Gate, monumental access to the historic centre of San Marino
St. Francis Gate · 1361
The historic access to the walled core
Information

How to visit

Where
Via Basilicius · City of San Marino
Church admission
Free
Art Gallery
State Museums ticket. Tariffs on museidistato.sm
Position
Southern entrance to the historic centre, next to the St. Francis Gate
§ I — Foundation

The oldest sanctuary

The church and the convent were founded together in 1361 by the Conventual Friars Minor, brothers of Francis of Assisi who reached the Titano a century after the death of the order's founder. The original settlement stood at Murata, outside the city walls, but the continuous raids by the Malatesta of Rimini made the area unsafe. Pope Clement VII authorised the relocation inside the fortified perimeter, in line with the southern gate that later took the name of the friars.

The St. Francis Gate, built in the same year 1361, is one of the few well-preserved original elements of the city walls. The church appears today in the neoclassical forms given by the restorations between the 17th and 18th centuries. Only the facade and the three-arched portico were brought back to their original lines by architect Gino Zani (1882-1964), a leading figure in the historical restoration of San Marino in the early 20th century.

§ II — Inside

Works not to be missed

On the high altar stands the 14th-century wooden crucifix, probably from the original church at Murata. For centuries the convent housed the Sammarinese Studio, an institution that long anticipated the present State University founded in 1985. The side walls keep paintings from the 15th to the 17th century by local artists and the Riminese school, today restored and integrated into the museum route.

§ III — Museum and Art Gallery

From the cloister to the gallery

On 15 March 1966 the Museum and the St. Francis Art Gallery opened in the two loggias of the cloister. The collection gathers works of the 15th and 16th centuries with a selection of local authors and Italian schools. Among the best known pieces is a portrait of Saint Francis attributed to Guercino, the Bolognese painter of the seventeenth century. The route also includes sacred vestments, liturgical objects and assets connected to the history of the Franciscan order on the Titano.

«The Franciscan cloister of San Marino is a quiet hall in the thick of the city: its arches count six centuries of prayers and silences.»
— Gino Zani, La rocca e il borgo, 1948

Those who want to explore the religious and artistic life of the Republic find in the monuments of the historic centre a natural route: the Basilica of Saint Marinus and the St. Quirinus Church complete the ecclesiastical triangle of the chief town together with the Monastery of St. Clare.

FAQ · Useful answers

Frequently asked questions

When was St. Francis Church built?
In 1361, together with the convent of the Conventual Friars Minor. It is the oldest sanctuary of the Republic of San Marino.
Where is it located?
Opposite the St. Francis Gate, the historic monumental access to the centre of the walled city. The building closes the southern side of the old core.
Does the convent host other museums?
Yes. In the two loggias of the cloister, since 15 March 1966, stands the St. Francis Art Gallery with works of the 15th-16th century.
What major works can be seen?
A portrait of Saint Francis attributed to Guercino, a 14th-century wooden crucifix on the high altar, works of the Riminese school and local authors. The facade and the three-arched portico, restored to their original lines by architect Gino Zani, are among the most distinctive features.
Is admission to the church free?
Yes. Access to the church is free. The visit to the museum and adjoining art gallery requires the State Museums ticket.
Why was the convent moved from Murata?
Pope Clement VII authorised the move because of the continuous raids by the Malatesta of Rimini on the original site at Murata. The relocation brought the friars to a safer place, inside the city walls.